Alexander McQueen Autumn/Winter 2006/07 Collection

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Photos: via Celeb City

Alexander McQueen’s work for Autumn/Winter 2006, and his work in general, is a testament of how great of a loss he is for the fashion world.

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Photos: Bladerunner (via Napalm Jelly)
Music: If I Had A Heart (Fuck Buttons Remix) by Fever Ray
Short Story: Michelle Tandoc-Pichereau

The child is resilient. At night, I wrap my hands around its clay skin, squeeze tight until the flesh swells like sausage. The child squirms and feigns sleep. In the morning it is again clasped to my ankle, tracking dust as I pace the floor, calling me Mama.

Sometimes I manage to lock the doors, but the child slips in through the window, crawls through the pipes, a pffft of air in the cracks in my walls. It smiles when it sees me, opens its grimy, nicked arms for a hug.

I leave the child in a cardboard box in the middle of the market, right there between slabs of pork and veined cheese. A second too quick and it’s in my footsteps, a shrunken shadow nipping at my heels. I growl and bare my teeth.

The child is there again, mewling.

A day, a moment. My hoisted shoulders crack from lifting. I succumb to the bitter, to the ache gutting me open. The child is there. The child is always there, watching me, eyes sharp like mirrors. I sob and blow it a kiss. I let it climb on my lap. I trace its cheek. I surrender.

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Scout Lantern

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Photos: Hubble Site
Song: Not A Robot, But A Ghost by Andrew Bird
Short Story: Claudia Smith

The falcon carried her for many miles, over wheat fields, highways, and city lights. Years later, that night would come back to her in shots, firing off in her head, pop-gun memories. She was a child then, and so the cities were like flickering candles on a cake, and she was not afraid of the flight.

When her son calls out for her at night, she carries him into her room. He twitches, says mommy, and she strokes his damp hair. She will not take him to the forest. He sleeps in his own room, with three night lights and a scout lantern. But she wakes, every night, as she did when he nursed, her body carrying her to the blue and green room, and there he is, every time. She’ll smell his clean skin, or adjust his coverlet.

One night he wakes to tell her there is a robot outside his window. A giant robot he says, a dark robot with one claw. “He doesn’t have hands, Mom,” her son says, “he goes like this. He goes like this.” He crumples his forehead and stares. They look out the window, and she remembers a friend telling her to check the closet, to spray glitter water, to banish monsters. But she is afraid. It’s storming and the neighbors are gone. She would like to carry him to her room, put the phone by the bed, turn on the lights and the television, the radio too. It could be there, a man, or something cold, waiting. There’s an odd smell, like plastic burning.

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Everything Was Blowing in the Wind

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Photo Collages: Chris Thompson
Music: 81 by Joanna Newsom
Short Story: Lydia Copeland

I ran up the side-walked hill when you asked. You had a buzz cut and wore an oversized green coat with down feathers quilted inside. Once you put your finger inside my finger to stop the bleeding. Once we fell asleep in your parents’ bed with the sound of their dream machine looping train tracks. I hid in one of my father’s empty classrooms and cried into a wood desk. My father walked in, stood in front of the chalkboard with a can of Sprite in his hand and a silk tie beneath his collar. He said I had some explaining to do. The blinds were drawn. All around us there were deciduous trees stripped from the mountains, mulberries and lyre-leaf-sage. Milkweed in a darkening sky. And stalks of wheat. Everything was blowing in the wind. That night I listened to my mother’s tape of folk music in the car and thought about how words are just words, and you should say them without agony, without sorrow or song in your voice, just straight and sober. The next day, I had a speech in my head. In the closet mirror I prepared to recite it to you like an oath, looking into your face, eyes open all the way, hand on heart. I didn’t know you’d forget to speak to me again for the rest of your life. I didn’t know I’d be in New Jersey one day and find only an herb garden in the concrete, and there you’d be on a farm somewhere, remarried and floating down a river with your country son.

(Note: Such a depressing story but it goes great with this song, I think.)

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Balenciaga AUTUMN/WINTER 2008/09 COLLECTION

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Photos: Pellerin/Maxppp

I’m taking a break from posting my favorite Autumn/Winter 2010 men’s collections to display one of the best Balenciaga collections to date. Ghesquire really harnessed the many facets of his aesthetic into a very cohesive and restrained selection. It’s a step up from the futuristic style he began to develop the previous fall and a natural progression from the self-control he presented in the spring. The hand-painted latex coats and dresses are really some of the most jaw-dropping garments ever.

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