Category Archives: Literature

Hans Ulrich Obrist’s Conversation Series by M/M Paris

This sense of a democracy of interlocutors in Obrist’s interviews, the suspicion that between and beneath these conversations others are going on even as he and his current interviewee speak, is partly a matter of the discursive form of the Q&A. In an interview with Paul Rabinow in 1984, Michel Foucault expressed an antipathy toward polemics, preferring instead the interview or dialogue. Questions and answers, he said, “depend on a game — a game that is at once pleasant and difficult — in which each of the two partners takes pains to use only the rights given him by the other and by the accepted form of dialogue.” (The polemicist, on the other hand, “proceeds encased in privileges that he possesses in advance.”) Obrist’s interviews attempt to go further, to establish the rules for an infinite conversation and street plans for unrealizable routes.

Images: M/M via But Does It Float
Text: “The Conversation Series” by Brian Dillon
Also posted in Art & Design | Leave a comment

They Marched Into Fields

wfruet01
wfruet02
wfruet03
wfruet04
wfruet05
wfruet06
Photos: William Fruet
Short Story: Jamie Iredell
Music: Sleeper by Laura Gibson

Sleeper

The fields were polka-dotted with strawberries. The youngest–a towhead–said his finger had found the furthest reaches of his nose, which tickled, and that the sky had turned pink. The middle one–Michelle, a girl, brace-toothed and bespectacled said, “Shut up, Bobby. You’re such an idiot.” The strawberry arched from her fingers in a parabola of streaked red. It splattered Bobby’s shirt so that it resembled a television gunshot wound. The freckled chubby oldest filled the inside of his headlock with Michelle’s curled locks. Another berry smashed upon those curls resembled the brains that ticked away under Michelle’s scalp, the mind itself overcome with hatred. She was, after all, the middle child, a girl, the one they called “Four-eyes,” and “Lispy,” for her retainers.

“You fat ass,” Michelle hollered from within Jacob’s elbow. It sounded like she was deep inside a cave, locked away, which, of course, she was. There were things these brothers would never know: the twisted ruined barn beyond the southern hills, the old man and his son, the hundreds of colored bottles, and that to those men she was beautiful and wanted.

When Jacob released her, the hills sparkled not with strawberries and brothers, but with dew, alight with sunset, dappled like a tuxedo’s white-rosed lapel, the scent of mango carried in from the sea.

Also posted in Music, Photography | Leave a comment

The Sight

fanling_01
fanling_02
fanling_03
fanling_04 copy
fanling_05
fanling_06
Photos: Fan Ling
Short Story: Brian Foley
Music: Stars by The Xx
Stars

The phone caught him in its rings. He conceded, congratulated the voice on the other end for catching him and hung up. He went outside. They were having a party on their neighbors’ front lawn. As he approached to rejoin the party he noticed a change in mood, a stillness. He got closer. Everything erupted into applause. He bowed, then realized the applause was not for him. Did you see that? said his wife, her arms shaking. He told her he had no idea what she was talking about. It was the most magnificent, most beautiful…. She was at a loss. Over her shoulder he could see his brother was crying into his wife’s sweater, who was also crying but laughing at the same time. He demanded to know what had happened. His neighbor said, It just appeared. It was like a big ladle of cream light…. but he had to stop to catch his breath. By now his wife was drooling into her wine glass, overcome. She was far away, in some other place, possibly Florida. He had never seen such a look of pleasure on her face and her euphoria frightened him. He could hear the phone ringing again. He knew he would never make it in time. It was yet another thing he would have to miss.

Also posted in Music, Photography | Leave a comment

Pigment

jjean_m2010_01
jjean_m2010_02
jjean_m2010_03
jjean_m2010_04
jjean_m2010_05
jjean_m2010_06
jjean_m2010_07
Drawings: James Jean
Short Story: Martha Clarkson
Music: Beach House
Norway

We painted the room blood red. The small, crumpled paint chip read hothouse tomato. Even cranberry would have accomplished the goal. Carmine, ruby, scarlet all would have passed muster. We’d have warmed to maroon, or even good old crimson — stop sign red could have worked too. But not blood. Not the exact color of blood. It was too much.
But as the third coat finally set it was blood red. Not dried blood — the top of an elbow scab or the crust around a nose — but live blood, realistic enough to look like the walls could drip.
The room was supposed to be the den but we slept in it then because we were painting our bedroom too. We’d gotten bored with forest green and still had a wall to go, so our bed remained in the red room, pulled to the center, away from the fresh red paint. It was like waking up in a transfusion.
“This must be what life in your womb looks like,” Hugh said one morning, still curled on his side, knees almost up to his chin.
I turned sharp, pinning the sheet around my waist, reminded of what we’d lost. I wanted to eat him alive for saying that, but then he was facing me with that sideways smile and I knew he meant it in a kind way, that he was just imagining being our baby.
The one window in the room did all it could to bring in yellow daylight. We opened the bottom half as though quantities of air equaled light. From the basement we hauled up a can of ivory dust to paint the oak trim, sure this would help turn the red to some benevolent fruit color.
We brought in lamps from all over the house.
“Maybe it’s about wattage,” Hugh said, setting up a floor lamp, briefly singing into it like a microphone. The thought of painting over the red, three coats bold, brought on a nausea even the paint fumes couldn’t touch.
We bought white furniture from Ikea — cheap stuff — and the chairs and tables we carried in from another room had silver trim. Transparent curtains draped long at the floor; we bought a yellow and orange rug to throw onto the oak boards. It certainly felt warm in the room and I’d only wear a T-shirt when I worked at the white desk. Finally we moved the bed back to our forest green room. Some mornings a woodpecker tapped on the roof, then we opened our eyes to all that green, and thought we were in the woods. A skinny branch could crack underfoot at any moment. Through the open window came a tree smell, because of the Douglas Fir next to the house, the one Hugh worried about in windstorms. In the back corner of our lot were holly trees, no doubt sprouting red berries, but then, right then, we were nothing but green.

Also posted in Art & Design, Music | Leave a comment

Gold

kusakabe_00
kusakabe_01
kusakabe_02
kusakabe_03
kusakabe_04
kusakabe_05
kusakabe_06
kusakabe_07
kusakabe_08
kusakabe_09
Photos: Kimbei Kusakabe
Music: Rabid Bits of Time by Chad VanGaalen
Short Story: Ethel Rohan

He entered the kitchen, carrying the silver metal scuttle filled with coal. The draught brought in the scent of woodbines. She paused her work, her hands resting inside the bread dough, and breathed deep, having always loved that smell.

He hunkered close to the fire, his hands almost inside the leaping flames.

“You’re cold,” she said.

“It’s eating me.”

She saw a flash of his skeleton, grey and splitting as his hair.

A knock sounded at the door, making her start.

The stranger was peddling hairbrushes and hair accessories. She waved him away. Her husband urged the young man to wait, pulling his purse from his trouser pocket, and purchasing a gold hairpin.

As the peddler disappeared down the dirt road, she mock-threatened her husband with her hawthorn stick, chiding him for a wasteful fool, her eyes brighter than the hairpin, the fire.

Also posted in Art & Design, Music | 1 Comment
  • Archives